Thứ Hai, 29 tháng 7, 2013
Thứ Sáu, 12 tháng 7, 2013
What should we cook today, sweetie? , 2012
•Event : “skylines with flying people” – Japanfoundation- Hanoi
•Performance – Installation
• This work is a mark of my thinking change
to think about my responsiblity as a woman artist to my family as well
to my audience. The work help me to expand communicate with the others and also
makes connection beetween people
Chủ Nhật, 7 tháng 7, 2013
A collaboration performance with Tuan mami, 2011
Venue: destroying area, Hoang Hoa Tham, Hanoi.
Medium: Performance - installation
Time:20 hours ( In days from Feb.26th to Mar.01st 2011)
Describe:
I was interested by his idea : "In 4 days, we worked in 5 hours a day to knit mortar , broken bricks together by red wool at a broken floor of the destroying house. That Took down by Government in 2009 for a new road. Until now that project still stuck there by some corruptions.".
It was great experience for myself through working with him in this work.
Play with hands, 2011
•Event: In:act
2 – Vietnam performance art festival
•Medium: Performance art
Describe:
Performance art is a way for me to talk
with myself. I assume the hand as an animal being grown inside a cage. I
observe its habits and activities. It is like a dialogue through feelings-
Lonely and Lost
When i am 21 years old, 2010
•Medium-
media: Performance art
•Veneu: Goethe Institute- Vietnam
•Event:
Workshop of Nezaket
Ekici
performance artist
•Duration:
about 30 minutes
•Describe:
I
compare the size between me and another mannequin to see the different standard
between us at the same time.
My
mother’s performance looks like a designer while she is measuring every parts
of my body. She breaks the quiet atmosphere with her sound while she is singing
a lullaby about a mother’s endless love to her child. This work helps my mother
and I look back the past changing 21 years
and it’s truly a remarkable turning point.
Rescue of the squid, 2011
- Event: In:act year two - Vietnam Performance art festival
- Medium:Performance art
- Duration: about 30 minutes
- Describe:Rescueing the squid is an imaginary experiment.I imagine how a dry squid is brought back to life. I increase the water degree, put salt, sink and dive myself like I'm in the ocean. I struggle in a shape of limited, strange space which is both familiar and simultaneously distant. I clean and polish another squid to satisfy the repression of feelings. I eventually recognize it is telling my own stories.
A stamp.1, 2010
•Event:
“ Vietnam contemporary art” – Tokyo
Metropolitan art space- Japan
•Medium:
Performance
•M/Y:
8/ 2010
•Describe:
The moment I was born was the first stamp
of my life. Each person I meet everyday gives me images which imprint in my
emotion and my perception. It is not easy to forget. Those images create many
kind of societies around me.I myself think the distinction of
different languages, young and old, races, clothes trade- mark, appearance is
not the litmitation
of connecting people together.This work is the simple way for me to keep
these impressive remainder. And they are also the everlasting elements for my
work.
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